Of piano, trumpet, tenor saxophone, bass and drums, The hard-driving, gospel-ish The Preacher (february 1955), but alsoĭoodlin' and Room 608 (both november 1954),Īs well as Nica's Dream (april 1956), containing his catchy, propulsive, Latin-tinged twelve-minute Nica's Dream. Silver contributed most of the tracks, particularly Horace Silver and the Jazz Messengers, to which He formed the quintet with Art Blakey that started the bebop revolution The latter also gave a name ("funky") ("funky") to his solid beat influenced by gospel and rhythm'n'blues. Quicksilver, Horoscope (october 1952), Opus De Funk (november 1953). His own compositions Safari (october 1952), He already displayed the essence of his exuberant style with Trio (november 1953), with Art Blakey on drums and several bassists, Horace Silver (1928) was the main hard-bop pianist, influenced by both African and You Gotta Take a Little Love (1969), 5/10 Horace Silver and the Jazz Messengers (1955), 7.5/10 ( Copyright © 2006 Piero Scaruffi | Terms of use) Horace Silver: biography, discography, review, ratings
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